前半段还行，能不能不升华主题啊。简简单单的讲故事多好啊。

这部电影从头到尾都是湿的，有下雨的忧伤，有带撕碎的信离开的小河的惆怅，影片的诸多意向浪漫也忧伤。哑巴常常赶鸭子，鸭子是聒噪的，哑巴却说不出话，男女主常常荡秋千，秋千是浪漫的，荡起来就能看到更远的天地，还能看到“北京天安门”，但最终秋千却让女儿鼓蓬蓬的牦户变成了残疾，荡着秋千生活的人们也无法按着年少青春时期的诺言生活。台词要是更有点方言特色就好了，香川照之的表演胜男女主一筹，把一个农村哑巴的那种遭人嫌弃又实诚的好以及做许多决定时的心理变化都能表现得恰如其分。

太无聊了。。。。。。。

小时候对那西人牙膏印象最深。 现在重看，女儿鼓蓬蓬的牦户发现嗨药急救那段完全恶搞低俗小说。。囧，，

SIFF #6 Real-life coming of age movie. What stands out here is the subtle push and pull dynamics between modern values and conservative traditions. On one hand we have characters saying the "correct" things, like "we parents shouldn't interfere what our children want", or there seemingly is direct intervention from School teachers and folks from "People's Committee" aiming to protect children's rights, which makes you think that tradition, as it stands, maybe are merely performative traditions in this day and age. Until at the very end when the brutal sequence unfolds in front of our eyes, the camera and the parents of Di, who almost decides to do nothing.